[dark is the night]


[there was night and there were shadows in the night … there was a saint who lost his head … there was a kitchen chimney that spewed white smoke in the dark of night … deep are the shadows of night … there was a man who stood in front of a glass window looking at his shadow in the night … but there was a chimney from the kitchen that spewed white smoke into the dark shadows of the night]

…DARK IS THE NIGHT…
…DARK IS THE NIGHT…

… there was a saint who lost his head …
… there was a kitchen chimney that spewed white smoke in the dark of night …

{photograph how it feels not how it looks}

There are several ‘maxims’ of the great photographer Ansel Adams.
Alluding to my photograph of a landscape from Serra do Fumal (southeast part of Serra da Canastra, MG-Brazil) – taken last week – I wanted to rescue one of these ‘maxims’.

In short: “photograph how it feels (not how it looks)”. Because in photography, let’s not forget, “it’s more about the emotion it evokes in the viewer than about its appearance”.

If not, here’s what Adams says in this context: “My Moonrise, Hernandez, New Mexico has the emotion and feeling that the experience of seeing a real moonrise created in me, but it’s not realistic at all. Simply clicking the camera and making a simple print of the negative would have created an entirely different – and ordinary – photograph. People ask me why the sky is so dark, thinking exactly in terms of the literal. But the dark sky is what it looked like.”

I’ve been told…that’s all for now…
Hope you like it….