THE MEMORY OF THE PATHWAYS AND THE PATHWAYS OF MEMORY.

The paths have many memories and the memory has many paths.
I think this is true because I have many good memories of the paths that I have gone through in my life and my memory goes through several paths. My memories of these places, people and objects that were part of my imagination, of my past follow different paths. These memories are dear to me for several reasons or ways.
As Boris Kossoy has already written (IN: Realities and fictions in the photographic plot. Editorial Studio. 4th edition. São Paulo. 2009 – in Portuguese): “photography is memory and is confused with it”.

Pandemic treatment: phototherapy

Phototherapy – I am not talking about any health treatment against any desease here. Those treatments that consist of the use of special lights widely used in newborns who are born with jaundice (yellowish tone on the skin), but which can also be useful to combat wrinkles and spots on the skin, in addition to diseases such as psoriasis, vitiligo eczema, for example. example. They use some type of special light, such as the LED that stimulates or inhibits cellular activity.

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[new topographics from the interior of the state of são paulo-brazil]

According to the writer and curator Luisa Duarte (IN: Rio Branco, Miguel – Crosswords, dreamed, stolen, used, bled. São Paulo, SP-Brazil. IMS. 2020) and, according to the Benjaminian concept (Walter Benjamin – essayist, German Jewish literary critic, translator, philosopher and sociologist; 1892-1940) on the temporality of works of art “a work of art does not have to be understood in time, but time in the work” because they contain “an intensive and not extensive temporality”.

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[vernacular landscapes]: [new topographics from the interior of the state of são paulo-brazil]

According to the writer and curator LUISA DUARTE (Rio Branco, Miguel – Crossword puzzles, dreamed, stolen, used, bled. São Paulo. IMS. 2020) and, according to the benjaminian conception (Walter Benjamin – essayist, literary critic, German Jewish translator, philosopher and sociologist; 1892-1940) on the temporality of works of art “a work of art does not have to be understood in time, but time in the work” because they contain an intensive and not extensive temporality.

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A vernacular elegy to the countryside

“The landscape is not, in essence, made to look at, but the insertion of man in the world, the place of a struggle for life, a manifestation of his being with others, the basis of his social being”. (Dardel, E., 2011. Man and the earth: nature and geographical reality. Translation Werther Holzer. São Paulo, SP. Perspective.)

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an air of mystery…

The black and white photograph for me is this: they are pictures with an air of mystery, of tension in the air. Mystery and tension suspended in the air as if in a micro second a posteriori there would be an explosion or another sudden change and everything would become different from this previous instant. For me, nothing like street photography to fill these pre-requisites.
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