A feast for the eyes on days when one’s vision—at times—becomes a bit “clouded.”
Tipuana tipu (Benth.) Kuntze—known as tipuana or rosewood—forms magnificent trees in the central square of Poços de Caldas, MG, Brazil.

A feast for the eyes on days when one’s vision—at times—becomes a bit “clouded.”
Tipuana tipu (Benth.) Kuntze—known as tipuana or rosewood—forms magnificent trees in the central square of Poços de Caldas, MG, Brazil.

For my photography projects centered on memory, territory, and the reinterpretation of landscapes, the city of Leandra offers a particularly rich interpretive key: the photographs can reveal not only what is present in the landscape but also the invisible traces of past occupations and the possibilities of futures yet to unfold.
In this sense, Leandra is a city of superimposed memories and invisible presences that continue to inhabit these places, even when they can no longer be seen.

My Day by Edward Hopper (1882-1967) (USA; painter, graphic artist and illustrator).
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photo: São Carlos, SP Brazil from the windshield of my car in the rain. 2022.



Reconstructing Michael Radford’s “Nineteen Eighty-Four” (1984) from George Orwell’s glorious book of the same name (1948).
The photomontages are of scenes from the film that I have just re-watched for the ‘n’th time and I photographed the TV screen that overlaps photos of me of Usina São Carlos (sugar and alcohol plant) (Jaboticabal SP Brazil) during the period when it was being demolished already 2-3 years ago.



Launch of my latest photography book called ASSOMBRAÇÕES (HAUNTINGS) at the FOTO EM PAUTA Festival in Tiradentes, Minas Gerais, Brazil from March 6-10, 2024.
At this same festival, five of my photos of the Brazilian Amazon from my project called MY PITORRESCA AMAZON will also be projected, which is the theme of my next photography exhibition to be held at the Arts and Convention Center of the Federal University of Ouro Preto, Ouro Preto, Minas Gerais, Brazil in the period March 17-20, 2024.
Everyone is invited to these events!



These are two photographs originally taken in analogue that I took in the 90s in Alto do Rio Negro, in the Brazilian Amazon.
They are good examples of what and how IGAPÓS are, which means FLOODED FOREST.



