This polyptych consists of photographs of 25 small catholic churches in Brazil, in the southeast of Brazil. It is part of my on going project on “new topographics, topological and typological” in Brazil.
These are some street photos on the theme of new topographics, a project that I return to from time to time. Hope you like it.
… that’s what I call my daily photographic trips, close to my home on foot or in rural areas within a radius of 100-120 km from my home with my car: phototherapy trips …
The black and white photograph for me is this: they are pictures with an air of mystery, of tension in the air. Mystery and tension suspended in the air as if in a micro second a posteriori there would be an explosion or another sudden change and everything would become different from this previous instant. For me, nothing like street photography to fill these pre-requisites.
Inspirado num artigo escrito por Geoff Dyer chamado ‘forma: palavra + fotografia’ e publicado pela revista Zum em maio de 2014 encontrei ressonância para um aspecto de grande relevância para mim na fotografia que é ‘casamento da palavra com a fotografia’ ou da ‘fotografia com a palavra’. Para mim muitas vezes há, aí, um intercâmbio de papéis, i.e., de quem nasceu primeiro, como a história: ‘o ovo ou a galinha?’: ‘a palavra ou a fotografia?’.
Dyer cita alguns livros que historicamente encaixam-se nesta categoria e após ler seu artigo fiquei tentado em comprar um deles e acabei comprando o ‘Looking at photographs’ onde John Szarkowski ‘casa’ 100 fotografias do acervo do Museu de Arte Moderna de Nova York (as mais icônicas em sua perspectiva no ano de 1973, é lógico) com ‘palavras’ sobre tais fotos. Apesar de ter nas mãos o livro menos de 24 horas, já pude perceber verdadeiras joias – tanto ‘joias-palavras’ como ‘joias-fotografias’ – que há no mesmo.
Uma dessas preciosidades é uma foto de William Klein feita em Moscow em 1959 que o livro do Szarkowski não dá o nome (que mancada Szarkowski!), mas eu sei que é ‘bikini’ porque é capa de um Photofile (Thames & Hudson, 2017) do Klein que tenho em minha pequena biblioteca. “Bikini’ foge – no meu modesto conhecimento e entendimento da obra de Klein – da ‘regra’ das (quase totalidade) fotografias desse autor que prima por ‘meter’ dentro do retângulo grande diversidade de elementos de composição. ‘Bikini’ tem 6 camadas ou planos lindamente definidos….e, muitos mistérios…tensões…e, poesia.
Pois é: entre as várias coisas que o Szarkowski fala dessa fotografia leio algo que quero compartilhar:
“It was recognized long ago that so-called good photographic technique did not invariably make the best picture. Sometimes the gritty, graphic simplicity of the badly made photograph had about it an expressive authority that seemed to fit the subject better than the smooth, plastic description of the classical fine print”.
Mandou bem Szarkowski…
Inspired by an article written by Geoff Dyer called ‘form: word + photography’ and published by Zum magazine in May 2014, I found resonance for an aspect of great relevance for me in photography that is ‘marriage of the word with the photograph’ or ‘photography’ with the word’. For me, there is often an exchange of roles, i.e., who was born first, like the story: ‘the egg or the chicken?’: ‘The word or the photo?’.
Dyer cites some books that historically fall into this category and after reading his article I was tempted to buy one and ended up buying the ‘Looking at photographs’ where John Szarkowski ‘houses’ 100 photographs from the collection of the Museum of Modern Art in New York ( the most iconic in his perspective in 1973, of course) with ‘words’ about such photos. Despite having the book in my hands for less than 24 hours, I was able to perceive real jewels – both ‘jewels-words’ and ‘jewels-photographs’ – that are in it.
One of these gems is a photo by William Klein made in Moscow in 1959 that Szarkowski’s book does not give the name (what a mistake Szarkowski!), But I know it’s a bikini because it’s the cover of a Photofile (Thames & Hudson, 2017) from Klein that I have in my small library. “Bikini” escapes – in my modest knowledge and understanding of Klein’s work – from the ‘rule’ of (almost all) photographs by this author who excels in ‘meter’ within the rectangle, a great diversity of elements of composition. ‘Bikini’ has 6 layers or beautifully defined plans …. and, many mysteries … tensions … and, poetry.
Well, among the many things that Szarkowski talks about in this photograph, I read something I want to share:
“It was recognized long ago that so-called good photographic technique did not invariably make the best picture. Sometimes the gritty, graphic simplicity of the badly made photograph had about it an expressive authority that seemed to fit the subject better than the smooth, plastic description of the classical fine print ”.
You did well Szarkowski!!! …
Oh !, time … time, that damn-blessed inexorable variable … inevitable, unshakable, inflexible, relentless, unspeakable variable … the time that denies everything and erases everything … the time that yellow the love letter leaf kept so long in a drawer … forgotten there, but not from time, to time … time that wears out love … time that soothes passions and brings loneliness … time for a utopian world … and, at the same time, a dystopian world … time that everything weathered and destroyed the beauty and perfection of the beautiful … that appeased, that ended wars … that ended everything, from manias to epidemics and pandemics, that calmed the gusts … that the flower withers, rots the fruit and soothes the pain … which creates unrest and brings fear … Read More
Even in times of quarantine and social isolation as I live in a very little neighborhood (low traffic of cars and people) I have been making my walks almost daily. I usually walk from 1 ½ hours to 2 hours. Always wearing a mask, but I don’t make contact with anyone. Read More
… this lovely little car so dear to Brazilians and many people around the world has been a reason for photography for me over the years … I hope you like it … Read More
In my entire life, nature photography (animals, trees, leaves, flowers, landscapes, etc.) has always been present. But, today I want to show something more unusual about nature. Read More
What autumn looks like in a small urban forest near my home in São Carlos, state of São Paulo, southeastern Brazil. Read More
COVID-19 times have been tough but have provided me with an opportunity, with time and patience, to scan old negatives and color slides that I used so much in my film photography. And, I rediscovered the beauty of the nostalgic and bucolic colors that these films (I used regular 100-200 ASA films from Kodak and Fuji) reproduced. Read More