











Rua Direita. Tiradentes, MG-Brazil. March 2017.






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@magic_rectangle
New topographics of the interior of São Paulo state, Brazil.

From my brand new series (under construction – January/2022) called: fotoGRAPHICS: diptychs that are intended to show “fragmentation …. recreation of the visible world in a game of lines, lights and shadows …. abstractionism and surrealism … geometrization of motifs … graphics”.







Why do we do so many self-portraits? Are we photographing who we are, who we were or who we want to be? Would these photographic images that we generate be, nothing more, and for one or several reasons, the specters of the people we were, who we are or who we will be one day be? Maybe self-portraits represent more ‘the other side of the coin’ or how authentic or inauthentic we are… how mutants we are… or how nomadic we are… how wanderers we were, are and will be?




This phrase, so to speak, refers to Ezra Pound’s modernist imperative in his eponymous 1934 collection of essays.
This ‘slogan’ urges the writer to create from the material of the artwork that is distinctly innovative.
The idea behind this ‘slogan’ is, for me, fully desirable in photography.



It’s a fun game. However, how much are we ourselves when we photograph ourselves? That’s a very difficult question to answer…





