{photograph how it feels not how it looks}

There are several ‘maxims’ of the great photographer Ansel Adams.
Alluding to my photograph of a landscape from Serra do Fumal (southeast part of Serra da Canastra, MG-Brazil) – taken last week – I wanted to rescue one of these ‘maxims’.

In short: “photograph how it feels (not how it looks)”. Because in photography, let’s not forget, “it’s more about the emotion it evokes in the viewer than about its appearance”.

If not, here’s what Adams says in this context: “My Moonrise, Hernandez, New Mexico has the emotion and feeling that the experience of seeing a real moonrise created in me, but it’s not realistic at all. Simply clicking the camera and making a simple print of the negative would have created an entirely different – and ordinary – photograph. People ask me why the sky is so dark, thinking exactly in terms of the literal. But the dark sky is what it looked like.”

I’ve been told…that’s all for now…
Hope you like it….

{self-portraits?}

Why do we do so many self-portraits? Are we photographing who we are, who we were or who we want to be? Would these photographic images that we generate be, nothing more, and for one or several reasons, the specters of the people we were, who we are or who we will be one day be? Maybe self-portraits represent more ‘the other side of the coin’ or how authentic or inauthentic we are… how mutants we are… or how nomadic we are… how wanderers we were, are and will be?

“MAKE IT NEW”

“MAKE IT NEW” (Ezra Pound – 1885–1972)

This phrase, so to speak, refers to Ezra Pound’s modernist imperative in his eponymous 1934 collection of essays.

This ‘slogan’ urges the writer to create from the material of the artwork that is distinctly innovative.

The idea behind this ‘slogan’ is, for me, fully desirable in photography.