{parallel worlds}

This project combines aesthetic, philosophical and ecological perspectives to reject humanity’s purely utilitarian relationship with nature, framing it as spiritual and existential. Through dynamic diptychs, it visualizes interconnected realities where environmental awareness and aesthetic contemplation converge, inviting a reimagined role in the world. Highlighting both the visible elements and the interaction between ecosystems, society and human subjectivity, it seeks to highlight our deep ties with nature and the impacts of our choices on ecological and social balance.

By rejecting the utilitarian view of nature and treating it as something spiritual and existential, our relationship with the natural world is redefined, inviting people to see nature not only as a resource, but as a partner and an essential element of the human experience. As Giuseppe Penone (Italian artist and sculptor) once said, “man is not a spectator or an actor, he is simply nature” (Giuseppe Penone).

Dynamic diptychs offer an opportunity for contemplation. Visual aesthetics are not just about beauty, but a form of meditation on the interconnectedness of life. They can provide a space for viewers to reflect on their own lives and practices in relation to the environment.

By representing the complexity of interactions between ecosystems, society and subjectivity, visualizing interconnected realities, the project aims to expose the web of life that unites us all. This approach can help to demystify the idea of ​​separation between humans and nature (e.g., the basis of Giuseppe Penone’s work mentioned above)(*), promoting a more holistic understanding of our place in the world.

(*) as a good example to be given coming straight from the art world.

By interweaving environmental awareness with aesthetics, the project offers a new narrative that can resonate emotionally with audiences. This fusion can be a powerful motivator for action, encouraging people to reconsider their choices and their impact on the planet.

The emphasis on both visible and invisible elements and the interaction between them highlights how our perceptions shape our experiences. This may include exploring how personal and cultural narratives influence our relationship with nature, revealing that our subjectivity is deeply embedded in the natural world.

By highlighting the impacts of our choices on ecological and social balance, the project can serve as a call to action. This could include reflections on consumption, sustainability and collective responsibility, promoting greater awareness of how our decisions affect the world around us.

The conclusion is that this project not only seeks to create an understanding of the relationship between humanity and nature, but also invites people to become part of this narrative. By integrating aesthetics, philosophy and ecology, it becomes a platform for reimagining our role in the world, encouraging a deeper engagement with environmental issues. The proposal to highlight our deep ties to nature and the impacts of our choices manifests itself by engaging the audience in an experience that is both intellectual and emotional. In this way, the project can inspire a significant change in the way people perceive and interact with the natural world, promoting a more sustainable and harmonious future.

{parallel worlds}

Parallel worlds: This project merges aesthetic, philosophical, and ecological perspectives to reject humanity’s purely utilitarian relationship with nature, framing it as spiritual and existential. Through dynamic diptychs, it visualizes interconnected realities where environmental awareness and aesthetic contemplation converge, inviting a reimagined role in the world. Highlighting both visible elements and the interplay between ecosystems, society, and human subjectivity, it underscores our deep ties to nature and the impacts of our choices on ecological and social balance.

[happy new year]

From the preface I wrote for my intended future book on the art of photography, now called “ambiguities, dualities, parallel worlds – a small collection of diptychs”, I extracted this small excerpt that says:
————-“In my diptychs I give new meaning to my photography and I have the clear feeling that I give new meaning to myself: my dreams and failures; my life”—————


Having said this and republishing one of my favorite diptychs from 2024, I would like to wish my friends a truly new year, with much peace, with renewed hope for a world without the horrors of war and hunger.

[mirrors]

mirrors
(from the project “ambiguities, dualities, parallel worlds”)
………………………………………….
[photo of direita street in tiradentes, mg, brazil from march 2017]
[i truly worship this street with its houses with many doors and windows and its many stones]
[as corny as it may seem, i really liked this mirror image of this diptych]

[the ‘raw’ file was processed in lightroom in order to obtain a result that i called, at the time, ‘stylized’]
[i don’t know what i meant anymore after 7 years]

“To keep something is to look at it, to stare at it, to gaze at it for the sake of
admiring it, that is, to illuminate it or to be illuminated by it”

[antonio cícero. guardar: poemas selecionados. rio de janeiro, brasil: record. 1996]

Diptychs, triptychs and polyptychs can be fun and tell revealing stories

Diptychs, triptychs and polyptychs are not only fun, but an expressive form of photography as they may tell stories more clearly than individual photos. Continue reading “Diptychs, triptychs and polyptychs can be fun and tell revealing stories”