[loneliness]
from the project: ambiguities, dualities, parallel worlds – a small collection of diptychs
{loneliness}
Tag: black and white photography
[bad dreams]
[bad dreams]
from the project: ambiguities, dualities, parallel worlds – a small collection of diptychs
[mirrors]
mirrors
(from the project “ambiguities, dualities, parallel worlds”)
………………………………………….
[photo of direita street in tiradentes, mg, brazil from march 2017]
[i truly worship this street with its houses with many doors and windows and its many stones]
[as corny as it may seem, i really liked this mirror image of this diptych]
[the ‘raw’ file was processed in lightroom in order to obtain a result that i called, at the time, ‘stylized’]
[i don’t know what i meant anymore after 7 years]
“To keep something is to look at it, to stare at it, to gaze at it for the sake of
admiring it, that is, to illuminate it or to be illuminated by it”
[antonio cícero. guardar: poemas selecionados. rio de janeiro, brasil: record. 1996]
{ambiguities, dualities, parallel worlds}
{ambiguities, dualities, parallel worlds}
a small collection of diptychs
{ambiguities, dualities, parallel worlds}
{ambiguities, dualities, parallel worlds}
{ambiguities, dualities, parallel worlds – a small collection of diptychs}
Note: two pairs of juxtaposed pages from a future book of my photographs.
{nube compañera}
[nube compañera]
ruta nacional 12 – corrientes, argentina
{in the clouds}
Ambiguities, dualities, parallel worlds – a small collection of diptychs.
this diptych: city in the clouds
[project 1+1=3; continuum of diptychs]
this diptych: hauntings.
For me, photography has to raise more questions than it answers; it has to create more tension than it dissuades tension; it has to be a poem of a few direct lines rather than a thousand-page novel.
project: 1+1=3 (diptyches)
Diptych title: “so they don’t say I didn’t talk about the flowers”
[in the darkness of the night]
series 1+1=3
[in the darkness of the night]
{life & path} (series 1+1=3)
