from the project: [New Topographics: Vernacular Architectures and Urban/Rural Landscapes of the Interior of the State of São Paulo]

from the project: [New Topographics: Vernacular Architectures and Urban/Rural Landscapes of the Interior of the State of São Paulo]

{trees} – paired pages from a future photography book
Section: “standing dead trees” (victim trees)

{trees}
Examples of pages from a future photography book in editing.


{trees}
Examples of paired pages from a future photography book in editing.









(fotozine)
I have always had a special relationship with roads.
Not only with the roads themselves, but also with ‘the edges of the roads’.
Perhaps it is a typical story of the flâneur, of the observer.
Sometimes I feel that the edges of the roads reveal much more than the roads themselves, but I know that they belong to the roads; they are confused with the roads.
In this work I try to bring together the photographs from my collection, but it is a theme that I continually photograph.






Parallel worlds: This project merges aesthetic, philosophical, and ecological perspectives to reject humanity’s purely utilitarian relationship with nature, framing it as spiritual and existential. Through dynamic diptychs, it visualizes interconnected realities where environmental awareness and aesthetic contemplation converge, inviting a reimagined role in the world. Highlighting both visible elements and the interplay between ecosystems, society, and human subjectivity, it underscores our deep ties to nature and the impacts of our choices on ecological and social balance.









[um grito por ajuda]
(a cry for help)
———
do projeto: mundos paralelos
(of the project: parallel worlds)

My ‘Carceri d’Invenzione of Piranesi’.
from the book ‘Beyond Architecture’.

{sinister shadows}
from the project “ambiguities, dualities, parallel worlds: a small collection of diptychs”


[shadows]
from the project “ambiguities, dualities, parallel worlds: a small collection of diptychs”
